Located in Seattle Washington, the
Frye Art Museum opened in 1952. The creators, Charles and Emma Frye, were
early-twentieth century Seattle business leaders and art collectors who made
the museum what it is today. The 18,000 square foot space contains pieces from
the Frye Founding collection as well as different exhibitions hosted at various
times. Upon visiting the museum, there was an exhibit called 36 Chambers, the
title of James Joyce’s first series of poems. This particular exhibit helps to
continue the Frye Museums commitment to the “citizen curator” by inviting staff
members to choose works of art from the Founding Collection based on James
Joyce’s poems in 36 Chambers.
The overall
design of this museum is simple. Walking into the museums lobby, you
immediately pass a gift store and enter the gallery portion of the space. This
gallery space is divided into massive rooms with very tall ceilings. The
expansiveness of the gallery’s rooms allows the visitors to enjoy the pieces
from different angles and distances. Benches were placed in the center of these
rooms, seating up to 8 people, and were the only form of seating offered in the
space. This encouraged people to continue to move through the rooms and also
provided a space to rest your feet and take in the art. Each exhibit usually
has a description of what the exhibit is displaying, helping guests understand
the shows. The paintings are spaced out nicely; far enough for guests who are
viewing one piece wont bother another guest viewing another piece. The art is
hung at an average eye level. The design of the space encourages the best
possible viewing experience of the artwork. The walls on which the art is hung
were mostly white throughout the museum although in the 36 Chambers exhibit, the walls were painted lilac and the lighting
was dimmer than in the other spaces. The spaces with white walls had track
lighting on the ceiling, which was the only source of light in the space. They
were placed to prevent glare and made the viewing very pleasant. The white
walls, light hardwood floors and soft light made the space calming and neutral.
In the 36 Chambers exhibit with lilac
walls, the art was mounted in thick frames to separate them from the colored walls,
emphasizing the artwork.
My visit to
the Frye Art Museum was enjoyable in that I was able to see some incredible
pieces of art as well as learn about the layout and structure of a popular,
public museum. This will help me in my design for my next project and in future
projects.
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